stan douglas penn station

The resulting images pay tribute to McKim, Mead & White’s original station, and to the layers of human experience that bring our civic spaces to life. listeners: [], Take this project: from 50 years of station concourse history, Douglas has pulled a handful of stories to depict. “We experience the world through technical images all the time, and we’re not physically present. We can’t just say, 'Oh, this happened to be there when I was there.' Similarly, the artist’s Monodramas feature brief, dislocated events—a car and a school bus nearly collide at an intersection, only to drive away; a pedestrian on the street greets an Afro-Canadian man who responds, "I’m not Gary. In addition, MACK published a new book about Douglas's practice. Elmgreen & Dragset have dreamed into being an imaginary cityscape that descends from the ceiling and radiates the dynamism and energy of a contemporary megacity. Read more from our Arts section here. Stan Douglas’ free virtual talk on January 28 centers on his new permanent public commission Penn Station’s Half Century, 2020, a captivating photographic series that reconstructs nine remarkable but forgotten moments from the history of the original Pennsylvania Station (1910-1963).The artist has created this monumental site-specific artwork for the newly opened Moynihan Train Hall in New York … “I can put things in motion that even surprise myself.”. } Watch Video Artist Stan Douglas Remix History to Reimagine the Present. Thursday, January 28, 5 PM. There were these youth gangs that were present in the city, and they’d be selling marijuana at a place called the Brass Doors—where the theatre is now at Byng.”, He was one of only two Black kids at the school. These longtime friends and collaborators discuss what it means to awaken ideas through the language of improvisation and exceed viewer expectations. But that just means that we have to take more responsibility as creators of images. Stan Douglas in Conversation . The hall he designed Architectural firm SOM, Also connected to subway lines, although they are a bit far. The “Ticketed Waiting Room” at Moynihan, with custom-molded walnut benches and Canadian photographer/artist Stan Douglas’ photo murals dramatizing scenes from the demolished Penn Station, is clearly the most luxurious waiting area for commuters and intercity coach travelers in the country. To learn more about available works, please provide your contact information, Anthology Film Archives in New York showed, Digital fiber print mounted on Dibond aluminum, Stan Douglas's ambitious multimedia project combines live theater and innovative technology to present a film noir-inspired story set in 1948 Vancouver, Virtually explore post-war Vancouver in Stan Douglas's interactive app, To be the first to know about our online exhibitions, Stan Douglas: DCTs and Scenes from the Blackout, Association of International Photography Art Dealers (AIPAD), This site uses cookies to improve your experience. This is not new territory: much of his work involves a retelling or reimagining of the past, most often with the use of new technologies; art as dialectic, not documentary. It’s not simply the means to turn an idea into art, it’s part of the pulse of his thinking. ); Stan Douglas, Penn Station’s Half Century, 2020. The series, “Penn Station’s Half Century,” is an homage to the original Penn Station, with Douglas drawing on archival research to … The city of New York inaugurated its latest artistic projects. To be the first to know about upcoming Stan Douglas exhibitions, Stan Douglas, 22 April 1924 and 7 August 1934, from Penn Station’s Half Century, 2020. Take Black vaudeville entertainer Bert Williams: “He was the first Black person to appear in the Ziegfeld Follies, the first Black man to direct a silent film, the first Black man to have a Broadway play produced. Presumably, post-COVID, the space will come to life, with passengers flocking to a cocktail bar on one of the balconies and an adjacent food hall. Inspired by post-war Film Noir, Helen Lawrence intertwines theatre, visual art, live-action filming and computer-generated recreations of historical backgrounds in a groundbreaking multi-media showcase. “The lion isn’t in this shot.”. “My friends were the children of UBC professors or bikers. ", As the artist told Roxana Marcoci in an interview after winning the Hasselblad Foundation International Award in Photography in 2016, "Early projects like the Television Spots and Monodramas were all about an alienation effect, putting an irritant into broadcast television by means of these counterfeit advertisements to make people look at the context around the ads in a different way. SIGN UP FOR OUR THURSDAY NEWSLETTER })(). Stan Douglas, “22 April 1924 and 7 August 1934,” from “Penn Station’s Half Century,” 2020. At once suspect and rich in meaning, this kind of uncertain artefact suggests potential lines of exploration that are worth pursuing at present, especially when the 'interesting times' it evokes seem to be with us once again. callback: cb The exhibition presented works from Douglas’s two recent series, DCT (2016–ongoing) and Blackout (2017), that together illustrate the artist’s overarching interest in the nature of photographic representation and its relationship to reality. } 525 West 19th Street, New York. And the cleaning staff, looking a little bored, dusted Stan Douglas’s faux historic photos showing re-enactments of events that occurred in the demolished Penn Station. Douglas’s Television Spots were originally made to be inserted in fifteen- to thirty-second-long slots between the advertisements on a private Canadian television network. Certainly, his fascination with technology—both as artistic expression and its effect on the way we perceive reality—permeates everything Douglas creates. An image (above) from Penn Station’s Half Century, a photo-panel series by Canadian Stan Douglas. On January 1, … Sunlight is not typically associated with the dingy basement vibe that envelops commuters passing through Penn Station. At the 31st Street entrance, Elmgreen & Dragset created a sculptural group, The Hive, that depicts skyscrapers hanging from the ceiling. He stands on one leg, the other stretched out behind him, his body perpendicular to the floor, arms spread wide. He has been chosen to represent Canada (the first Black artist to do so) at the 59th Venice Biennale in 2022 (pushed on a year due to the COVID pandemic). The Exhibition will focus on the work of artists who challenge existing habits of thought and open up our readings of objects and images, gestures and situations. ©Stan Douglas. A testament to New York’s creativity, diversity, and richly layered heritage, the three monumental commissions complement the new cutting-edge Train Hall, while embracing its civic character. Since the inaugural presentation at The Arts Club Theatre Company, Vancouver in March 2014, Helen Lawrence has been hosted by the Münchner Kammerspiele, Munich; Edinburgh International Festival; Canadian Stage, Toronto; Brooklyn Academy of Music, New York; and deSingel, Antwerp. About . Trudging below the low ceiling and fluorescent lights of New York City’s outdated Penn Station is now a thing of the past. Measuring fifty-five feet-long, the three panels, like much of Wiley’s work, honor the average youth of the city, turning Black and Latinx … He has run strips of archival Edison footage of the Rockies over a voice reading from what he calls “the last bourgeois novel,” Marcel Proust’s In Search of Lost Time (Overture, 1986) and refracted his impression of the Cuban revolution through a series of video elements built across two loops, the shifting and repeating nature of which he posits as an analog of a movement full of good intentions that were never fully realized (Inconsolable Memories, 2005). Passengers sit in the ticketed waiting area, designed by the Rockwell Group; in the background is a detail from “Penn Station’s Half Century” by Stan Douglas. Now, more than a half century after the original Beaux-Arts style train station was razed, Penn Station has regained some of its former splendor with the opening of the new Moynihan Train Hall on January 1, 2021. The photographic installations of Stan Douglas honor the sites’ past. Where is the frog?” a member of the production team yells, before a chap clad in skin-tight, bright green velour ambles down from the bleachers. Yet here he is. In October 1963, the wrecking ball came for Pennsylvania Station—an urban landmark by any standard and the impetus for landmark preservation ever since. Photo by Nicholas Knight. The spacious, 255,000 square foot commuter hub is named in honor of the late Democratic Sen. Daniel Patrick Moynihan, a transit champion who first proposed the project decades ago. One of nine photographic panels from “Penn Station’s Half Century.” Commissioned by Empire State Development in partnership with Public Art Fund for Moynihan Train Hall. U nless you visited New York City before the 1960s, traveling through Penn Station meant navigating a dismal subterranean maze below Madison Square Garden. One of nine photographic panels from “Penn Station’s Half Century.” Stan Douglas’ photo series, Penn Station’s Half Century covers 80 feet of the waiting room wall. The Black man eventually turns and responds, “I’m not Gary.”). Sunlight is not typically associated with the dingy basement vibe that envelops commuters passing through Penn Station. Sunlight is not typically associated with the dingy basement vibe that envelops commuters passing through Penn Station. Courtesy of the artist, Victoria Miro and David Zwirner. On January 1, 2021, Governor Andrew M. Cuomo announced the opening of the new Moynihan Train Hall, along with three unprecedented site-specific art installations by Stan Douglas, artist duo Elmgreen & Dragset, and Kehinde Wiley, counted among the most innovative and revered artists working today. This guided tour coincided with The Photography Show presented by the Association of International Photography Art Dealers (AIPAD). A conversation about collaboration and the obsessive power of good music—touching on Netflix, Kendrick Lamar, and what it’s like to play with Miles Davis. He has exhibited to acclaim around the world, and has shown at the Tate in London and New York’s Museum of Modern Art. Douglas 's innovative stage presentation Helen Lawrence Miro and David Zwirner about your.... Stitcher, and Stan Douglas Photograph: ©Stan Douglas the past most feted artists... Tell My students, unless your name is Malcolm X, I ask him much! An ersatz cultural relic, and Jason Moran perform with saxophonist Charles Lloyd August!, April 6, 5 PM 525 West 19th Street, New York ’ s a different. And Hogan 's Alley—are also settings in Helen Lawrence was created in collaboration with screenwriter producer... That his greeting is ignored a sculptural group, the best resource for contemporary art explore all daily news... Douglas ’ photo series, Penn Station in Manhattan control—which is what is so amazing about it the. 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