where do we go from here buffy

Buffy was in fact at peace, in what she thinks was heaven, but she has kept this a secret from her friends. Heh. Xander is engaged to Anya Jenkins (Emma Caulfield), a former vengeance demon who has become human. Head had musical theater experience in. I rewatched it immediately mostly because of Tara’s voice singing Under Your Spell. [28] Two Buffy essayists note that Willow and Giles sing together at the start of the episode, but later Tara and Giles share a duet to express the diminished part each plays in their respective relationships. Buffy the Vampire Slayer: Once More with Feeling [Musical Episode Soundtrack], "Buffy the Vampire Slayer: Once More with Feeling - Original TV Soundtrack | Awards", "Why You Must 'Tune' In to Tonight's Scrubs Musical! [43] When they all sing the chorus at once to the line "We will walk through the fire / And let it — burn", two fire trucks race behind the Scoobies as they proceed to the Bronze. [18] Buffy essayist Marguerite Krause asserts that the monsters and demons faced by the Scoobies are thin symbolism for the show's true focus: relationships and how to maintain or ruin them. GILES, TARA So we sound our victory cheer Where do we go from here?. Enker, Debi (April 11, 2002). The next morning at the Magic Box, the gang reveal that they also sang that evening. And we kinda won. at Buffy's younger sister), and a live cast performed the episode alongside the screen. I just rewatched Buffy, where do I go from here? During the long single-shot scene when she and Xander talk over each other insisting to Giles that evil must be at play, Anya refers to the audience, saying "It was like we were being watched ... Like there was a wall missing ... in our apartment ... Like there were only three walls and not a fourth wall." He attempts to avoid his fears through the song "I'll Never Tell", singing "'coz there's nothing to tell", after summoning Sweet to Sunnydale to show him that he and Anya will be happy. Where do we go from here? But we'll walk alone in fear. [31] In his essay "A Kantian Analysis of Moral Judgment in Buffy the Vampire Slayer", Scott Stroud explains that Buffy, as the central character throughout the series, is torn between her desires and her duty, in a Kantian illustration of free will vs. predeterminism, symbolized by her responsibility as a Slayer and her adolescent impulses. Bugger this. Her voice is great. Why is the path unclear? He tells Dawn that he has come to Sunnydale in response to her "invocation", and he will take her to his dimension to make her his bride ("What You Feel") when his visit is complete. Why is the path unclear? ", all the Scoobies join her, including Giles despite his suspicions that Buffy is no longer interested in her life. And I never want to do it again. ANYA, XANDER Why is the path unclear When we know home is near? As they sing "Understand we'll go hand in hand / But we'll walk alone in fear", they line up, hold hands, then fling each other's hands away in a piece of what Whedon calls "literal choreography". Debi Enker in Australia's The Age writes, "Giles (Anthony Stewart Head) and Tara (Amber Benson) are terrific, Xander (Nicholas Brendon) and Dawn (Michelle Trachtenberg) struggle valiantly, and Willow (Alyson Hannigan) barely sings a note". Nothing here is real; nothing here is right. [6] Each of the eight characters in this line wears a color in the visible spectrum, a conscious decision by the costume designer. Both Williams and Margaret Lyons at New York magazine, however, declared "Once More, with Feeling" the "gold standard" for musical episodes. [12] This appears specifically in "Something to Sing About", which starts with uptempo platitudes: "We'll sing a happy song / And you can sing along: / Where there's life, there's hope / Every day's a gift / Wishes can come true / Whistle while you work ..." While singing, she kills Sweet's minions with a pool cue. [47] The characters as a chorus sing "The curtains close on a kiss, God knows / We can tell the end is near", moments before Buffy runs out to kiss Spike and the show closes with actual curtains. Buffy nodded at Giles with a sad smile of acceptance. meaning. [2][4], Buffy's former nemesis is Spike (James Marsters), a vampire. Meeting Sweet at The Bronze, Buffy offers a deal to Sweet: she will take the place of her sister if she can’t kill him. The song ends with chord influences from Stephen Schwartz's Pippin and a visual tribute to Disney: as Buffy stakes a vampire, it turns to dust that swirls around her face. Welcome, fellow Buffy fans! When asked by Sweet what she thinks about life, Buffy gives her pessimistic take on its meaning ("Something to Sing About"). So we sound our victory cheer. If there was one thing she hated more than anything it was being bored. (Tell me) [49], "Once More, with Feeling" received widespread critical acclaim from media and critics when it aired, during overseas syndication, and in reminiscences of the best episodes of Buffy after the series ended. Audience members received props to use during key scenes, as well as directions (for example, to yell "Shut up, Dawn!" Randy Lewis (September 23, 2002). C E D The battle's done, [2], Throughout Buffy the Vampire Slayer, music serves as a narrative tool, integral to character development and action. I’m here, while watching Buffy from start to finish, to say that I can’t get enough of Once More, With Feeling. Tara has previously expressed concern at Willow's use of her emergent magical powers for trivial or personal matters. This episode is the longest only as it was originally broadcast and on DVD. [59], An album including all 14 songs in the episode, with Christophe Beck's scores for three other Buffy episodes, was released by Rounder Records in September 2002 as season seven premiered. [41] Buffy studies scholar Rhonda Wilcox interprets Willow's diminished role representing the show's silence about Willow's descent into addiction and darkness through the rest of the season. [75] In October 2007, after a dispute with the Screen Actors Guild over unpaid residuals, 20th Century Fox pulled the licensing for public screenings of "Once More, with Feeling", effectively ending official Buffy sing-alongs. In an essay on the use of music in the series, Jacqueline Bach writes that in conjunction with the sixth season themes of growing up, "Once More, with Feeling" gives music a central role instead of keeping it in the background.[5]. Why is the path unclear, When we know home is near. Where do we go from here? The curtains close, on a kiss god knows, Giles and Tara separately resolve to leave the people they love, respectively Buffy and Willow — Giles wants to leave Buffy for her own good, while Tara wants to leave Willow because she has become horrified by Willow’s magical manipulation of their relationship ("Under Your Spell / Standing—Reprise"). It was the most watched program on UPN that night, and the third most watched program that week, trailing episodes of Star Trek: Enterprise and WWF SmackDown. [42] Benson remarked that Tara's story arc is significant within the episode, starting out with ecstasy but soon recognizing the illusory circumstances surrounding her bliss and that "life can't be perfect all the time". [34] Zacharek's unenthusiastic assessments of the music and cast's singing abilities were not shared by other writers. Although Salon.com writer Stephanie Zacharek states "(t)he songs were only half-memorable at best, and the singing ability of the show's regular cast ranged only from the fairly good to the not so great", she also asserts that it works "beautifully", paces itself gracefully, and is "clever and affecting". He wasn't a part of it, of them, and to be honest he didn't want to be. Why is the path unclear, They are mentored by Buffy's "Watcher", Rupert Giles (Anthony Stewart Head), a paternal figure since the first season, when Buffy moved to Sunnydale after her parents' divorce. "The Guide: Aerial view of America". [30] In The Psychology of Joss Whedon, Mikhail Lubyansky writes that, although Buffy's first step toward re-engaging with her life is telling the Scoobies the truth in the song "Something to Sing About", she does not find meaning again until the end of the season. This is just a preview! Make sure your selection Maybe it's a Beatles thing. [6][12] Sarah Michelle Gellar (Buffy) told the BBC that "It took something like 19 hours of singing and 17 hours of dancing in between shooting four other episodes" and she was so anxious about singing that she "hated every moment of it". C G Am Where do we go from here. Where do we go from here. Series Author: littleotter73 Disclaimers: Buffy the Vampire Slayer belongs to Joss Whedon and other companies. Where do we go from here indeed, he knew exactly where he was going and he knew it was alone. An annotation cannot contain another annotation. Failure means that they were right; that there might as well be only one Slayer, fighting and dying and doing whatever the hell the Watchers tell her to do. Buffy Season 8CHAPTER 1: "Where do we go from here? [58] For its 65th anniversary, TV Guide picked it as the fifth best episode of the 21st century. "Brilliant Buffy still slays us". [26] Anya also avoids the truth by burying herself in wedding plans without thinking critically about what being married will entail; instead she considers Xander an accessory to her desired lifestyle. starts and ends within the same node. Michelle Trachtenberg (Dawn), who is trained in ballet, requested a dance sequence in lieu of a significant singing part,[9] and Alyson Hannigan (Willow), according to Whedon, begged him not to give her many lines. [24] For Buffy, however, truth is slow in coming, as she continues to lie to the Scoobies, claiming to forget what she sang about in the graveyard during "Going Through the Motions". At that time we … Press J to jump ... Posted by 40 minutes ago. [71] Director John McPhail cited "Once More, with Feeling" as an influence on his film Anna and the Apocalypse (2018). Whedon called the cancellation "hugely depressing" and attempted to influence the studio to allow future showings.[76]. Menon, Vinay (November 13, 2002). That evening, Buffy visits Spike, who angrily tells Buffy to leave him alone if she will not love him ("Rest in Peace"). "Once More, with Feeling" explores changes in the relationships of the main characters, using the plot device that a demon—credited as "Sweet" but unnamed in the episode—compels the people of Sunnydale to break into song at random moments to express hidden truths. He doesn't know enough to know what he can't do and he's smashing rules. Dial-Driver, Emily; Emmons-Featherston, Sally; Ford, Jim; Taylor, Carolyn Anne (eds.) In earlier seasons, this takes the form of simpler pleasures such as dating and socializing, interspersed with defeating evil forces. Christophe Beck, a regular composer for the series, filled in the overture and coda and composed "Dawn's Ballet". ", as the Scoobies stand dazed and disoriented, facing different directions. Read about Where Do We Go from Here? ": "Once More, with Feeling" and Genre, "411Mania Interviews: James Marsters (Buffy the Vampire Slayer, Angel)". [36] Giles' "Standing" is a ballad to Buffy that she does not hear, unlike the songs revealing truths elsewhere in the episode. When does the end appear? [45] Musicologist Amy Bauer categorizes the tempo shifts as "rock ballad to punk polka to hymn" that indicates Buffy's turmoil. Where do we go from here? Led by Giles, the gang theorizes about the cause of the singing; they sense no immediate danger but agree that by working together they can overcome anything ("I've Got a Theory/Bunnies/If We're Together"). When the others arrive, she divulges that Willow took her from heaven, and Willow reacts with horror at finding out what she’s done. [74], Buffy sing-alongs received growing media attention as they spread. John Virant, president and chief executive of Rounder Records, told the Los Angeles Times, "I remember watching the episode when it aired last October, and after it was over, I said to my wife, 'That's the best hour of TV I've ever seen. ANYA, BUFFY, XANDER, WILLOW, DAWN, GILES, SPIKE, TARA Understand we'll go hand in hand, but we'll walk alone in … Watch official video, print or download text in PDF. is Joss Whedon, Buffy The Vampire Slayer (TV Series).. Klik op ons voorbeeldpictogram  als u de eerste pagina van Where Do We Go From Here? [2][3] It is considered one of the most effective and popular episodes of the series, and—prior to a financial dispute in 2007—was shown in theaters with the audience invited to sing along. Cannot annotate a non-flat selection. in 2009. Sweet was portrayed as "slick", smooth and stylish; in contrast, most demons on the series were designed to be crude and ugly. GILES The battle's done and we kind of won GILES, TARA So we sound our victory cheer Where do we go from here? She goes to the Magic Box to consult a book, leaving Dawn alone. In the preceding episode ("All the Way"), Willow cast a spell to make Tara forget an argument about her abuse of magic. However, the chip does not affect him when he harms demons and he now often fights on Buffy's side, after at first fighting just for the pleasure of brawling.
The battle's done,
And we kind of won
So we sound our victory cheer
Where do we go from here? Following its series finale, fans continued their appreciation in theater showings of "Once More, with Feeling" where attendees are encouraged to dress like the show's characters, sing along to the musical numbers, and otherwise interact in the style of The Rocky Horror Picture Show. "Buffy serves up musical feast with plenty of bite". [53], Writing in the Toronto Star, Vinay Menon calls "Once More, with Feeling" "dazzling" and writes of "Joss Whedon's inimitable genius"; he goes on to say "(f)or a show that already violates conventions and morphs between genres, its allegorical narrative zigging and zagging seamlessly across chatty comedy, drama and over-the-top horror, 'Once More, with Feeling' is a towering achievement [...] The show may be anchored by existential weightiness, it may be painted with broad, supernatural brushstrokes, but in the end, this coming-of-age story, filled with angst and alienation, is more real than any other so-called teen drama [...] So let's add another line of gushing praise: 'Once More, with Feeling' is rhapsodic, original, deeply affecting, and ultimately, transcendental. Understand we'll go hand in hand, The title of the episode comes from a line sung by Sweet; once the characters have revealed their truths and face the consequences of hearing each other's secrets, he challenges them to "say you're happy now, once more, with feeling". Dawn starts to bemoan that no one seems to notice her ("Dawn's Lament"), but is soon seized by minions of Sweet (Hinton Battle), a zoot suit-wearing, tap-dancing, singing demon.
Where do we go from here? [15], Critics hailed the episode as successful in telling a complex story about all the characters in a unique way, while retaining the series' effective elements of writing and character development. I’m a grown ass man and I love that song. McCabe, Kathy (April 14, 2002). [65] In Region 1, the episode was released on the sixth season box set on May 25, 2004, over a year later than the Region 2 release. Where do we go from here? The next morning, Xander and Anya perform a duet about their secret annoyances with each other and their respective doubts about their impending marriage ("I'll Never Tell"). Where do we go When Buffy is on patrol, she laments in song about how uninspired her life has become ("Going Through the Motions"). Buffy the Vampire Slayer was the first show in U.S. television history to portray a long-term lesbian relationship among the core cast of characters. In the end, it was an incredible experience and I'm glad I did it. I just finished the rewatch of all the seven seasons of Buffy, since I loved it when I was a teenager 20 years ago. approach practised by Ally McBeal, the Buffy musical was entirely organic to the series' labyrinthine progression." The one exception was Anthony Stewart Head, who sang in ", Other series portrayed lesbian relationships among secondary characters (. GILES, TARA So we sound our victory cheer Where do we go from here? Anya, Buffy, Dawn, Giles, Spike, Tara, Willow And Xander: Understand we'll go hand in hand, but we'll walk alone in fear Giles: Tell me! Battle, a three-time Tony-winner, wore prosthetic make-up for the first time to give him a demonic red face. [69][70] Despite this, Joss Whedon recognized the influence "Once More, with Feeling" has had on other shows, but denied that it was primarily responsible for the rise in musical television episodes or series such as Glee, citing the popularity of High School Musical instead.

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