Why is the path unclear? I rewatched it immediately mostly because of Tara’s voice singing Under Your Spell. ANYA, BUFFY, XANDER, WILLOW, DAWN, GILES, SPIKE, TARA Understand we'll go hand in hand, but we'll walk alone in fear GILES Tell me! [8], Whedon spent six months writing the music for "Once More, with Feeling". When Buffy is on patrol, she laments in song about how uninspired her life has become ("Going Through the Motions"). She initially rejected him, but just before her death they had begun to form a friendship of sorts.
Where do we go from here? When we know home is near Understand We'll go hand in hand But we'll walk alone in fear Tell me Where do we go from here? Anya, xander Why is the path unclear When we know home is near? In the end, it was an incredible experience and I'm glad I did it. Upon divulging this truth, Buffy gives up on singing and dances so frenetically that she begins to smoke — on the verge of combusting as Sweet’s other victims have been shown to do — until Spike stops her, telling her that the only way to go forward is to just keep living her life. "Unsung 'Buffy': Props for A Magical Musical Moment". [9], The most complicated song, "Walk Through the Fire", leads all the characters to the climax from different locations for different reasons, reminiscent of the "Tonight Quintet" from West Side Story. C E D This continued through the series to the point of unpredictability that sometimes became unsettling to fans. [2], Buffy died at the end of the fifth season ("The Gift"), sacrificing herself in place of her younger sister Dawn (Michelle Trachtenberg) in order to save the world. The battle's done, Where do we go from here. [55] Ogle in The Miami Herald vigorously protests this omission, writing, "[T]he most astonishing, entertaining hour (hour plus, actually) of TV in the past year slips by virtually unnoticed. [12] This appears specifically in "Something to Sing About", which starts with uptempo platitudes: "We'll sing a happy song / And you can sing along: / Where there's life, there's hope / Every day's a gift / Wishes can come true / Whistle while you work ..." While singing, she kills Sweet's minions with a pool cue. '"[60] AllMusic gives the album five out of five stars, stating that the music is "every bit as fun as the episode itself", praising the voices of Benson, Marsters and Head. They are mentored by Buffy's "Watcher", Rupert Giles (Anthony Stewart Head), a paternal figure since the first season, when Buffy moved to Sunnydale after her parents' divorce. Once More With Feeling (Episode Soundtrack) Album, Once More With Feeling (Episode Soundtrack), Lyricapsule: The Surfaris Drop ‘Wipe Out’; June 22, 1963, Lyricapsule: The Byrds Drop ‘Mr. ANYA, XANDER Why is the path unclear When we know home is near? [6] Stephanie Zacharek of Salon.com considers this "brilliant because it frees even people who hate musicals to settle into the story without getting hung up on the genre's conventions". The musical television episode was declared a genre, a gimmick, according to Mary Williams at Salon.com, for series that had run out of interesting story lines and characters. Verderop vindt u voorbeelden van de partituren van het nummer Where Do We Go From Here?. The next morning, Xander and Anya perform a duet about their secret annoyances with each other and their respective doubts about their impending marriage ("I'll Never Tell"). Sweet was portrayed as "slick", smooth and stylish; in contrast, most demons on the series were designed to be crude and ugly. The couples in the group wear opposite colors (Giles in green and Buffy in red, Anya in blue and Xander in orange, Tara in yellow and Willow in purple), and Rhonda Wilcox interprets the color-coding and choreography to represent the "tension between the individual and the group". [39] Lorna Jowett called the song "the most erotic scene" of the series. Murray, Steve (November 6, 2001). "' by Buffy the Vampire Slayer Cast and see the artwork, lyrics and similar artists. Buffy ' and friends fight fiend with a song in their heart". ": "Once More, with Feeling" and Genre, "411Mania Interviews: James Marsters (Buffy the Vampire Slayer, Angel)". I … Tell me where do we go from here. [44], Buffy's numbers are the most complex, changing key and tempo when she begins to reveal the secrets she swore she never would. I started reading the comic books and then moved away from the nearby comic store. This page was last edited on 16 January 2021, at 13:21. He wasn't a part of it, of them, and to be honest he didn't want to be. Attinello, Paul; Halfyard, Janet; Knights, Vanessa (eds.) Nothing here is real; nothing here is right. It to emphasize differences between generations emergent magical powers for trivial or matters..., writers agree that the episode in where do we go from here buffy place in its timeslot, and said! Ca n't do and he 's smashing rules apprehensive '', Zacharek, (. Between characters developed in the second When you embed the widget in your site 's styles ( CSS ) ``! Establish all the Scoobies stand dazed and disoriented, facing different directions the Scoobies stand and... 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Harrington, Richard (July 2, 2002). [50] Tony Johnston in The Sunday Herald Sun writes that Gellar "struggles on some of her higher notes, but her dance routines are superb, Michelle Trachtenberg's Dawn reveals sensual dance moves way beyond her tender years, and James Marsters' Spike evokes a sort of Billy Idol yell to disguise his lack of vocal proficiency [...] The rest of the cast mix and match like ready-made Broadway troupers." [53], Writing in the Toronto Star, Vinay Menon calls "Once More, with Feeling" "dazzling" and writes of "Joss Whedon's inimitable genius"; he goes on to say "(f)or a show that already violates conventions and morphs between genres, its allegorical narrative zigging and zagging seamlessly across chatty comedy, drama and over-the-top horror, 'Once More, with Feeling' is a towering achievement [...] The show may be anchored by existential weightiness, it may be painted with broad, supernatural brushstrokes, but in the end, this coming-of-age story, filled with angst and alienation, is more real than any other so-called teen drama [...] So let's add another line of gushing praise: 'Once More, with Feeling' is rhapsodic, original, deeply affecting, and ultimately, transcendental. Why is the path unclear, Where do we go from here? During the first three seasons of Buffy, he was unable to take more than two weeks off at a time, and the constraints of writing and directing the show precluded him from putting forth the effort of preparing a musical. "Something to Sing About". Anya, Buffy, Dawn, Giles, Spike, Tara, Willow And Xander: Understand we'll go hand in hand, but we'll walk alone in fear Giles: Tell me! [61], In addition to featuring on the sixth season box set, "Once More, with Feeling" was individually released on DVD in Region 2 format on April 14, 2003,[64] the only episode to be individually released. They realize that the songs are bringing out hidden secrets, and later insist to Giles that something evil is to blame. However, "Once More, with Feeling", according to Stroud, is the turning point at which she begins to face her responsibility to the community, her friends and her family. C G Am Where do we go from here. The one exception was Anthony Stewart Head, who sang in ", Other series portrayed lesbian relationships among secondary characters (. It was the most watched program on UPN that night, and the third most watched program that week, trailing episodes of Star Trek: Enterprise and WWF SmackDown. Part 5. [6] Tara's heartfelt love song also has an ironic subtext; although she appears to mean that she is fulfilled by her relationship with Willow, the lyrics include multiple allusions to Willow working her manipulative will over Tara, overlaid with Tara's euphoric singing about her pleasure in their union. [8] When he returned after the end of the fifth season, he presented Davies with a script and CD, complete with notated and orchestrated music, which Davies found "mind-boggling". 1 user explained Where Do We Go From Here? Although she asks in verse "Apocalypse / We've all been there / The same old trips / Why should we care? [7][note 3] Whedon included self-conscious dialogue and references about the characters being in a musical and showed their reluctance toward song and dance, so that the audience would feel more comfortable with the improbability of such a thing happening on the show. Rated R for now, may be NC-17 later. The battle's done, And we kind of won So we sound our victory cheer Where do we go from here? Xander then reveals that he, not Dawn, called Sweet, hoping he would be shown a happy ending for his marriage plans. G Am C Giles & Tara: So we sound our victory cheer. Throughout the show—as in the rest of the series—the characters self-consciously address their own dialogue and actions. Quite simply, television at its best. [34] The musical styles span from a jaunty 1950s sitcom arrangement of the Buffy theme in the opening credits—the only episode in the series to begin without the normal version of the theme song and full cast roll, signifying a genre shift[7]—to Anya's hard-rock version of "Bunnies". And she was bored. This is just a preview! [9] The actors were initially bewildered; in 2012, James Marsters commented that "it's obvious now that they were good songs but the thing was Joss and his wife Kai, they don't sing very well. At that time we … Press J to jump ... Posted by 40 minutes ago. They have struggled with disclosing their engagement to the rest of the group and individually doubt their impending marriage. Whedon wanted to use a similar opening in which the heroine explains her yearning. ANYA, BUFFY, XANDER, WILLOW, DAWN, GILES, SPIKE, TARA Understand we'll go hand in hand, but we'll walk alone in … When we know home is near Understand We'll go hand in hand But we'll walk alone in fear Tell me Where do we go from here? Head had musical theater experience in. [20] Miscommunication is worsened or sustained through multiple episodes and seasons, leading to overwhelming misunderstanding and critical turning points for the characters, some of whom do not recover. [71] Director John McPhail cited "Once More, with Feeling" as an influence on his film Anna and the Apocalypse (2018). Buffy Season 8CHAPTER 1: "Where do we go from here? [75] In October 2007, after a dispute with the Screen Actors Guild over unpaid residuals, 20th Century Fox pulled the licensing for public screenings of "Once More, with Feeling", effectively ending official Buffy sing-alongs. The title of the episode comes from a line sung by Sweet; once the characters have revealed their truths and face the consequences of hearing each other's secrets, he challenges them to "say you're happy now, once more, with feeling". Whedon attempted to make the song tuneful yet chaotic to express the main point of the episode. Buffy's opening number, "Going Through the Motions", was influenced heavily by the Disney song "Part of Your World" sung by Ariel in The Little Mermaid. When re-runs were aired, several verses of songs were cut. Meeting Sweet at The Bronze, Buffy offers a deal to Sweet: she will take the place of her sister if she can’t kill him. C Em Anya & Xander: Why is the path unclear, C Am When we know home is near. When asked by Sweet what she thinks about life, Buffy gives her pessimistic take on its meaning ("Something to Sing About"). [6], Buffy essayist Ian Shuttleworth writes that Amber Benson (Tara) has "the sweetest singing voice of all the lead players", referring to "Under Your Spell" as "heavenly and salacious"; author Nikki Stafford concurs, writing that Benson "has the most stunning voice, showing a surprising range". In the same episode, Dawn, who has been stealing from stores, including Anya's magic shop, lies to Buffy and goes on a clandestine and almost deadly date. Buffy The Vampire Slayer feat. Debi Enker in Australia's The Age writes, "Giles (Anthony Stewart Head) and Tara (Amber Benson) are terrific, Xander (Nicholas Brendon) and Dawn (Michelle Trachtenberg) struggle valiantly, and Willow (Alyson Hannigan) barely sings a note". Buffy the Vampire Slayer's musical episode, 'Once More, with Feeling', registers a paltry outstanding music direction nomination. ANYA, XANDER Why is the path unclear When we know home is near? This was heightened during the fifth season when he hosted a Shakespeare reading at his house, to which the cast was invited. The key and tempo slow again, as Buffy finally reveals "I live in hell / 'Cause I've been expelled from heaven / I think I was in heaven" with the chord changing from B minor to B diminished, each time she repeats "heaven". [6] It transitions suddenly into her desire to be like normal girls, then changes again, slowing the tempo as she challenges Sweet not to give her a song, but "something to sing about". Sheet music arranged for Piano/Vocal/Guitar in A Minor (transposable). Amber Benson , Anthony Stewart Head , Emma Caulfield , James Marsters , Michelle Trachtenberg , Nicholas Brendon and Sarah Michelle Gellar Buffy The Vampire Slayer lyrics Where Do We Go From Here? [7], Giles' truth, according to Whedon, is that he realizes he must not "fight my kid's battles or my kid will never grow up",[9] which he sings in "Standing" while he throws knives at Buffy as part of her training. from here, Buffy The Vampire Slayer Lyrics provided by SongLyrics.com. Buffy was in fact at peace, in what she thinks was heaven, but she has kept this a secret from her friends. Series Author: littleotter73 Disclaimers: Buffy the Vampire Slayer belongs to Joss Whedon and other companies. [35] Musically, the song uses influences from Ira Gershwin, a Charleston rhythm, and jazz-like chord slides. ", The episode nears the end with "Where Do We Go from Here? Captured by Spike outside the store, one of Sweet’s minions conveys a challenge from Sweet for Buffy to rescue Dawn from The Bronze. [29], Although "Once More, with Feeling" allows all the characters to confess truthfully, with the exception of Willow, it does not resolve the behavior that demanded confession in the first place. ANYA, XANDER Why is the path unclear When we know hope is near?. But here’s the thing: we’re going to do it, not because I don’t know what failure means, but because I do. And I never want to do it again. ANYA, BUFFY, XANDER, WILLOW, DAWN, GILES, SPIKE, TARA Understand we'll go hand in hand, but we'll walk alone in fear GILES Tell me! If there was one thing she hated more than anything it was being bored. [23] The consequences in the episode of concealing truth, spontaneous combustion, is an allusion to Bleak House by Charles Dickens—of whom Whedon is a fan—where characters also face immolation for being deceitful. [34] Zacharek's unenthusiastic assessments of the music and cast's singing abilities were not shared by other writers. In the fourth season The Initiative, a secret military organization whose mission is to evaluate and eliminate demonic beings, rendered Spike harmless by implanting a microchip in his head that causes him intense pain when he attacks humans. / Playing with my memory / You know I've been through hell / Willow, don't you see? "[14], The episode's musical style varies significantly. Sunnydale is gone, so where do we go from here? Whedon assigned Emma Caulfield the rock-opera format because Caulfield often sang in such a way to him on the set. His motivations changed when, in the fifth season, Spike realized he had fallen in love with Buffy. "[14] Davies was so impressed with Hinton Battle's performance on Broadway in The Wiz that he asked Battle to play the demon Sweet. [6] According to Buffy essayist Zoe-Jane Playdon, earlier episodes' "false saccharine behaviour" impedes the characters so crucially that it summons a demon to force them to be honest. at Buffy's younger sister), and a live cast performed the episode alongside the screen. The mood is set by music, characters discuss it, and writers use it to emphasize differences between generations. Watch official video, print or download text in PDF. Johnston, Tony (April 14, 2002). Menon, Vinay (November 13, 2002). (Tell me) Tell me where do we go from here. Both Williams and Margaret Lyons at New York magazine, however, declared "Once More, with Feeling" the "gold standard" for musical episodes. Rather than adopt the 'Hey, wouldn't it be wacky if we suddenly burst into song?' [38] Previous televised depictions of lesbian relations were primarily limited to single "coming out" or "lesbian kiss" episodes, showing lesbian-identified characters as affectionate but not erotic. McCabe, Kathy (April 14, 2002). Not only does she continue her Slaying despite a lack of inspiration, but for the rest of the season she works at a humiliating job to provide for her sister and friends. The song introduces the character's emotional state but also removes the barrier between the actor and the audience, as Gellar the actor portrays Buffy, who feels she is merely playing the part of the Slayer. [27] Of all the characters, Anya is the most preoccupied with the style of singing and songs, demanding to know if Spike sang "a breakaway pop hit, or a book number", and asking Dawn if the pterodactyl she facetiously says she gave birth to also broke into song. [59], An album including all 14 songs in the episode, with Christophe Beck's scores for three other Buffy episodes, was released by Rounder Records in September 2002 as season seven premiered. If you haven't watched through the entirety of both "Buffy" and "Angel," there will most likely be a lot of spoilers. [13] When Whedon suggested using a voice double for her, however, she said, "I basically started to cry and said, 'You mean someone else is going to do my big emotional turning point for the season?' "Joss Whedon Gets the Cast Vamping", Zacharek, Stephanie (November 7, 2001). At the end of the episode, Buffy kisses Spike, initiating a romance that she hides from her friends. Wanneer deze compositie beschikbaar is voor verschillende instrumenten, dan hebt u de  … Why is the path unclear, When we know home is near. I’m a grown ass man and I love that song. This hints to the audience that the episode's musical format is strange to the actors and characters. The musical format allowed characters to stay true to their natures while they struggled to overcome deceit and miscommunication, fitting with the sixth season's themes of growing up and facing adult responsibilities. [28] Two Buffy essayists note that Willow and Giles sing together at the start of the episode, but later Tara and Giles share a duet to express the diminished part each plays in their respective relationships. Joss Whedon had wanted to make a musical episode since the start of the series. The curtains close, on a kiss god knows, Buffy - Once More With Feeling (OST) Where Do We Go From Here? He had fulfilled his obligation to Buffy and if she couldn't feel the way he did, well bugger 'em all. [9] The set for The Bronze was used frequently throughout the series, but stairs were built from the stage to maximize floor space for Buffy's dance. [6], Running eight minutes longer than any in the series,[note 2] the episode was also the most technical and complex. ". They take Dawn to The Bronze, where her attempt to escape transforms into an interpretive dance with the minions ("Dawn's Ballet") before she meets Sweet. He attempts to avoid his fears through the song "I'll Never Tell", singing "'coz there's nothing to tell", after summoning Sweet to Sunnydale to show him that he and Anya will be happy. "Well. Where do we go from here? Find more of Buffy lyrics. We wouldn't want her to ever use the black arts. Where do we go from here? (Tell me) When does the end appear? In earlier seasons, this takes the form of simpler pleasures such as dating and socializing, interspersed with defeating evil forces. The Hills Are Alive with the Sound of ... Vampire Slaying! Anya, Buffy, Dawn, Giles, Spike, Tara, Willow And Xander: Where do we go from here? "Once More, with Feeling" is the seventh episode of the sixth season of the supernatural drama television series Buffy the Vampire Slayer (1997–2003) and the only one in the series performed as a musical. She has been confiding in him; prior to this episode, he is the only one to whom Buffy has revealed that she was in heaven. Where Do We Go From Here Lyrics: TARA / I'm under your spell / God, how can this be? The Scoobies realize that their relationships have been changed irreversibly by the secrets revealed in their songs ("Where Do We Go from Here?"). Understand we'll go hand in hand, But we'll walk alone in fear. He tells Dawn that he has come to Sunnydale in response to her "invocation", and he will take her to his dimension to make her his bride ("What You Feel") when his visit is complete. SKU: MN0078180 Hello everybody! "[51] The episode was also nominated for a Best Dramatic Presentation Hugo Award and a Best Script Nebula Award, both given for excellence in science fiction and fantasy writing. Xander fears that his future marriage will turn him into an argumentative drunk like his father. Bernstein, Jonathan (November 17, 2001). (2010). Giles and Tara separately resolve to leave the people they love, respectively Buffy and Willow — Giles wants to leave Buffy for her own good, while Tara wants to leave Willow because she has become horrified by Willow’s magical manipulation of their relationship ("Under Your Spell / Standing—Reprise"). The episode nears the end with "Where Do We Go from Here? Horrible’s Sing-Along Blog', "Anna And The Apocalypse interview: the director on his zombie musical", "Buffy-oke" does it once more, with feeling, https://en.wikipedia.org/w/index.php?title=Once_More,_with_Feeling_(Buffy_the_Vampire_Slayer)&oldid=1000737373, Buffy the Vampire Slayer (season 6) episodes, Television episodes directed by Joss Whedon, Television episodes written by Joss Whedon, CS1 maint: bot: original URL status unknown, Articles with dead external links from May 2017, Short description is different from Wikidata, Television episode articles with short description for single episodes, Television episode articles with short description and disambiguated page names, Creative Commons Attribution-ShareAlike License. [32], "Once More, with Feeling" was Joss Whedon's first attempt at writing music, which he had always wanted to do. The next year, he began putting on sing-alongs to "Once More, with Feeling" in Boston's Coolidge Corner Theater, which became so popular that it went on the road. As Spike and Buffy kiss, a swell of music accompanies them, similar to the ending of Gone with the Wind. Read about Where Do We Go from Here? Even if she does it accidentally it could be a disaster." Why is the path unclear? [51], Writers agree that the episode was risky and could have failed spectacularly. With a characteristic dry demeanor, Giles explains that he overheard the information about Sunnydale residents spontaneously combusting as he was eavesdropping upon the police taking "witness arias". Their relationship lasts until the end of the series, marked for a time by Buffy's loathing of him because he has no soul. Ogle, Connie (July 23, 2002). The battle's done, And we kind of won So we sound our victory cheer Where do we go from here? We can tell the end is near... Buffy continues her charade in the chorus number "If We're Together", beginning the song by persuading others to join in one by one, as if each is convinced that she is still invested and in charge, and their strength as a group is infallible. [12] Whedon acknowledged that the "lyrical, heavenly quality" of Benson's voice led him to assign her the episode's love song. [16] In her opening number, "Going Through the Motions", Buffy sings that she feels as though she is playing a part: "nothing here is real, nothing here is right". Anya and Xander's duet is the only song in the episode to address the audience directly. This episode is the longest only as it was originally broadcast and on DVD. [66], Since the musical episode of Buffy aired, several other series have worked musical format into episodes, including Scrubs, ("My Musical") in 2007,[67] an episode of Grey's Anatomy entitled "Song Beneath the Song" in 2011[68] and Batman: The Brave and the Bold, ("Mayhem of the Music Meister!") [21], "Once More, with Feeling" propelled the story arc for season six by allowing characters to confess previously taboo issues to themselves and each other. [37] Whedon shot the scene so that Giles moves in real time while Buffy works out in slow motion, to accentuate Giles' distance from her. BUFFY, SPIKE Where do we go from here? It was written and directed by the show's creator, Joss Whedon, and originally aired on UPN in the United States on November 6, 2001.
Why is the path unclear? I rewatched it immediately mostly because of Tara’s voice singing Under Your Spell. ANYA, BUFFY, XANDER, WILLOW, DAWN, GILES, SPIKE, TARA Understand we'll go hand in hand, but we'll walk alone in fear GILES Tell me! [8], Whedon spent six months writing the music for "Once More, with Feeling". When Buffy is on patrol, she laments in song about how uninspired her life has become ("Going Through the Motions"). She initially rejected him, but just before her death they had begun to form a friendship of sorts.
Where do we go from here? When we know home is near Understand We'll go hand in hand But we'll walk alone in fear Tell me Where do we go from here? Anya, xander Why is the path unclear When we know home is near? In the end, it was an incredible experience and I'm glad I did it. Upon divulging this truth, Buffy gives up on singing and dances so frenetically that she begins to smoke — on the verge of combusting as Sweet’s other victims have been shown to do — until Spike stops her, telling her that the only way to go forward is to just keep living her life. "Unsung 'Buffy': Props for A Magical Musical Moment". [9], The most complicated song, "Walk Through the Fire", leads all the characters to the climax from different locations for different reasons, reminiscent of the "Tonight Quintet" from West Side Story. C E D This continued through the series to the point of unpredictability that sometimes became unsettling to fans. [2], Buffy died at the end of the fifth season ("The Gift"), sacrificing herself in place of her younger sister Dawn (Michelle Trachtenberg) in order to save the world. The battle's done, Where do we go from here. [55] Ogle in The Miami Herald vigorously protests this omission, writing, "[T]he most astonishing, entertaining hour (hour plus, actually) of TV in the past year slips by virtually unnoticed. [12] This appears specifically in "Something to Sing About", which starts with uptempo platitudes: "We'll sing a happy song / And you can sing along: / Where there's life, there's hope / Every day's a gift / Wishes can come true / Whistle while you work ..." While singing, she kills Sweet's minions with a pool cue. '"[60] AllMusic gives the album five out of five stars, stating that the music is "every bit as fun as the episode itself", praising the voices of Benson, Marsters and Head. They are mentored by Buffy's "Watcher", Rupert Giles (Anthony Stewart Head), a paternal figure since the first season, when Buffy moved to Sunnydale after her parents' divorce. Once More With Feeling (Episode Soundtrack) Album, Once More With Feeling (Episode Soundtrack), Lyricapsule: The Surfaris Drop ‘Wipe Out’; June 22, 1963, Lyricapsule: The Byrds Drop ‘Mr. ANYA, XANDER Why is the path unclear When we know home is near? [6] Stephanie Zacharek of Salon.com considers this "brilliant because it frees even people who hate musicals to settle into the story without getting hung up on the genre's conventions". The musical television episode was declared a genre, a gimmick, according to Mary Williams at Salon.com, for series that had run out of interesting story lines and characters. Verderop vindt u voorbeelden van de partituren van het nummer Where Do We Go From Here?. The next morning, Xander and Anya perform a duet about their secret annoyances with each other and their respective doubts about their impending marriage ("I'll Never Tell"). Sweet was portrayed as "slick", smooth and stylish; in contrast, most demons on the series were designed to be crude and ugly. The couples in the group wear opposite colors (Giles in green and Buffy in red, Anya in blue and Xander in orange, Tara in yellow and Willow in purple), and Rhonda Wilcox interprets the color-coding and choreography to represent the "tension between the individual and the group". [39] Lorna Jowett called the song "the most erotic scene" of the series. Murray, Steve (November 6, 2001). "' by Buffy the Vampire Slayer Cast and see the artwork, lyrics and similar artists. Buffy ' and friends fight fiend with a song in their heart". ": "Once More, with Feeling" and Genre, "411Mania Interviews: James Marsters (Buffy the Vampire Slayer, Angel)". I … Tell me where do we go from here. 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